Machinery images made by people who understand farming.

Artelina OSFileEditImageFieldLightLayerViewWindowHelpportfolio.art @ 100% · Season 26/27

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How we work

From the factory to the field.

01
Before the image, the machine.
A brand-new machine rolling off the assembly line. We know what a centre boom section is, where the spray tank sits and why the ground clearance is so high. That changes the cut-out.
02
The photo is born in the yard.
Concrete floor, a shed in the background, midday sun. It is a record of the machine, still far from being the campaign image.
03
Fields run on a calendar.
Soybeans at V4 are not soybeans at R5, and anyone who buys machinery notices right away. The scene has to show the right crop stage for the operation in the picture.
04
Every machine in its season.
A planter never goes into a standing crop. A combine never harvests green soybeans. Tasselled corn, open cotton bolls, straw on the ground: it all tells the same story.
05
Artelina OS, season 26/27.
Artelina OS is not something you install. It is how we work: field knowledge, our own pipeline and the world's most advanced retouching and AI tools, running together. Every season, a new version.
06
Ready for catalogues, billboards and trade shows.
The final image convinces because it respects what really happens in the field.

Portfolio

From the engineering render to the machine working in the field.

Move your mouse over the images. On one side, the file that comes from the factory. On the other, the image ready to sell.

Sunset over the crop: final image staged in the field — **Sunset over the crop** The render with the booms unfolded became spraying over soybeans at sunset.

Sunset over the crop: original render, before retouching — **Sunset over the crop** The render with the booms unfolded became spraying over soybeans at sunset.

No-till planting on straw: final image staged in the field — **No-till planting on straw** From a white backdrop to no-till planting on straw, in late-afternoon light.

No-till planting on straw: original render, before retouching — **No-till planting on straw** From a white backdrop to no-till planting on straw, in late-afternoon light.

Dusk at the farm gate: final image staged in the field — **Dusk at the farm gate** From the studio to the farm gate, with the evening sky reflected in the paint.

Dusk at the farm gate: original render, before retouching — **Dusk at the farm gate** From the studio to the farm gate, with the evening sky reflected in the paint.

Clean front, dust where it belongs: final image staged in the field — **Clean front, dust where it belongs** Planting rows, dust and low sun all following the lie of the land.

Clean front, dust where it belongs: original render, before retouching — **Clean front, dust where it belongs** Planting rows, dust and low sun all following the lie of the land.

Prepared soil: final image staged in the field — **Prepared soil** Turned soil, tracks and clods where the blade has passed.

Prepared soil: original render, before retouching — **Prepared soil** Turned soil, tracks and clods where the blade has passed.

Consistent sky and reflections: final image staged in the field — **Consistent sky and reflections** Crop, sky and reflections consistent with the time of day.

Consistent sky and reflections: original render, before retouching — **Consistent sky and reflections** Crop, sky and reflections consistent with the time of day.

Backlight and dust: final image staged in the field — **Backlight and dust** Dust kicked up by the work and a low sun behind the machine.

Backlight and dust: original render, before retouching — **Backlight and dust** Dust kicked up by the work and a low sun behind the machine.

Heavy sky, soil ready: final image staged in the field — **Heavy sky, soil ready** A heavy sky and soil prepared for planting.

Heavy sky, soil ready: original render, before retouching — **Heavy sky, soil ready** A heavy sky and soil prepared for planting.

Aerial view: final image staged in the field — **Aerial view** Seed furrows aligned with the machine's direction of travel.

Aerial view: original render, before retouching — **Aerial view** Seed furrows aligned with the machine's direction of travel.

Images that sell

No-till planting on straw, drone view at dusk

No-till planting on straw in the late afternoon

No-till planting on straw with the tractor in the field

Editorial design

Brochures, magazines and comics.

We write, lay out and deliver print-ready files. And we think about where each piece will be read: on the farm office desk, in a grower's hands, on a child's lap.

Open brochure on a wooden desk, with the field seen through the window

A grower's hands holding an open brochure in a soybean field at sunset

Brochures and work gloves on a pickup tailgate, with the field behind

Comics and kids' content

Turminha da Evolução

Scripts, characters, comic books and animation. Machines become characters and the field becomes an adventure, in print and digital.

Three Turminha da Evolução comic books on a wooden porch table, with pasture behind

Cover of the comic book The Mystery of the Haunted Barn

Cover of the comic book In the United States

Cover of the comic book Against Baron Rust

What we do

Creative solutions for agribusiness companies.

We don't sell machines. We make the images, pages and videos that sell what you manufacture, with people who understand farming on the other side of the screen.